Monday, February 28, 2011
Beach Volleyball! Pier 25 in TriBeCa
Sunday, February 27, 2011
Dolce and Gabbana FW 2011 Finale
Pierre Rougier- The Man The Myth The Legend
Photo from wsj.com by Dean Kaufman |
Wouldn't This Make A Super-Chic Wedding Dress
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From Style.com |
Friday, February 25, 2011
DKNY Bag - A hundred and ninety-five buckaroos
Available at netaporter.com
Thursday, February 24, 2011
Mr. Porter from Net-a-Porter.com
Mr. Porter is a new site and it has a great selection of chic menswear as well as cool editorial, the killer combination we've come to expect from Net-a-Porter.com. I'm looking forward to great things.
http://www.mrporter.com/product/162290
Tuesday, February 22, 2011
Bond St Sushi Gluten Free Menu
From Things I Like and Love |
Friday, February 18, 2011
Proenza Schouler FW 2011
Here's perhaps my fave look, impossible to say really, they were all amazing.
Photo: Monica Feudi / Feudiguaineri.com from Style.com |
Thursday, February 17, 2011
Vanessa Bruno's Miracle
Wednesday, February 16, 2011
Prada SS 2011 Ad Campaign
Who will buy me that fur stole?
And, wonders never cease, there's a making of campaign!
Prada.com
Alexander Wang FW 2011
Maybe one of my fave looks so far |
Jason Wu FW 2011 Video- UPDATE
I totally heart technology.
Tuesday, February 15, 2011
Marc Jacobs FW 2011
Home Made Girl Scout Cookies- Samoas!
Recipe from Bakingbites.com
Cookie Base:
1/2 cup sugar
3/4 cup butter, softened
1 large egg
1/2 tsp vanilla extract
2 cups all purpose flour
1/4 tsp salt
Preheat oven to 350F. Lightly grease a 9×13-inch baking pan, or line with parchment paper.
In a large bowl, cream together sugar and butter, until fluffy. Beat in egg and vanilla extract. Working at a low speed, gradually beat in flour and salt until mixture is crumbly, like wet sand. The dough does not need to come together. Pour crumbly dough into prepapred pan and press into an even layer.
Bake for 20-25 minutes, until base is set and edges are lightly browned. Cool completely on a wire rack before topping.
3 cups shredded coconut (sweetened or unsweetened)
12-oz good-quality chewy caramels
1/4 tsp salt
3 tbsp milk
10 oz. dark or semisweet chocolate (chocolate chips are ok)
Put dollops of the topping all over the shortbread base. Using the spatula, spread topping into an even layer. Let topping set until cooled.
When cooled, cut into 30 bars with a large knife or a pizza cutter (it’s easy to get it through the topping).
Once bars are cut, melt chocolate in a small bowl. Heat on high in the microwave in 45 second intervals, stirring thoroughly to prevent scorching. Dip the base of each bar into the chocolate and place on a clean piece of parchment or wax paper. Transfer all remaining chocolate (or melt a bit of additional chocolate, if necessary) into a piping bag or a ziploc bag with the corner snipped off and drizzle bars with chocolate to finish.
Let chocolate set completely before storing in an airtight container.
Oh no! Zachary Smile closed
Monday, February 14, 2011
Inoteca Restaurant LES
We went for a birthday dinner with a set menu, always a little bit of a risk, but I get it, there are going to be nights in my life where I just will skip dinner in order to spend an evening out with friends drinking wine and laughing. Usually though, this doesn't involve the waiter telling you the meatballs are totally fine. Except, uh, they have breadcrumbs, is that bad? We had one lovely female server who was a peach and totally helpful. And one guy who almost killed my celiac friend and when we asked if he could maybe ask the chef, it was like asking if he could just trot on over to the moon and bring us a side of moon cheese.
I digress though, the dinner was actually quite great, especially the selection of salads: a romaine, radicchio, stravecchio & roasted garlic, a beets, orange, pecorino, mint & hazelnuts, and a
grilled calamari, peppers, celery, spicy tomato vinaigrette. All gluten-free to boot. (Well, ostensibly, my tummy did feel a little funny after dinner but might have been the fried polenta)
Anyway, entrees came, steaming polenta chunks, meatballs, little panini, and some to-die-for looking lasanga. Of course dessert was even better, litte nutella panini (maybe one of life's great treats) and affogatos, coffee ice cream "shots" which are a great way to end a meal.
Calamari Salad-My Fave |
Friday, February 11, 2011
Peter Som FW 2011
These pants. This look. I die. |
I mean, now I really die. |
This coat would be perfect. |
I mean business, baby. |
Photos from style.com -- Marcus Tondo / GoRunway.com
Luca Luca FW 2011
Crisp, clean, long and elegant.
I totally don't have an editorial eye, I like the things I like because I want to wear them. (either in my current life or the imaginary one in my head) And the below looks are just divine.
John Dory Oyster Bar
Our waitress, though rushed and eager only to bring us more drinks, was nice and she was pleasant about the gluten-free situation. I had fluke with watercress and toasted quinoa which was, in a word, delicious. The toasted quinoa added a delicious crunch and layer of flavor. I also had the burrata with roe, which was fine, the roe on top is a cool concept but I've certainly had better burrata. The little cup of peanuts were the real winners, hot and salty with rosemary and garlic. I could've eaten a bucketful.
Actually the winner was my cocktail, the Lado Este, a tequila blanco and mint concoction. Light, refreshing, went down like water, pretty perfect.
With all the raw fish options, it's a pretty great choice for gluten-free. My waitress didn't seem at all surprised by my request and was eager to help me figure out what I could and couldn't have.
Thursday, February 10, 2011
The New York City Ballet- February 5th 2011
Music | Excerpts from Raymonda (1896-1897) by Alexander Glazounov |
Choreography | George Balanchine © The George Balanchine Trust |
Premiere | May 17, 1973, New York City Ballet, New York State Theater |
Original Cast | Melissa Hayden, Karin von Aroldingen, Colleen Neary, Merrill Ashley, Jacques d'Amboise, Jean-Pierre Bonnefoux |
Average Length | 32 min. |
Cortège Hongrois ("a courtly parade in the Hungarian style") was created by Balanchine as a farewell gift for Melissa Hayden when she announced her retirement after more than 20 years of dancing principal roles in the Company. The mixture of "character" ethnic dances with classical ballet, including a grand pas de deux, is also a tribute to Marius Petipa, choreographer of the original full-length Raymonda (1898). As a student and dancer in St. Petersburg, Balanchine knew Raymonda and the character dances typically included in Petipa's great 19th century ballets. The full-length Raymonda ends with a lavish Hungarian divertissement, which is recalled in Cortège Hongrois' ethnically accented costumes of green, white and gold. Balanchine considered the Raymonda score "a treasure chest of music." For Cortège Hongrois he chose some of the same music he had used for Pas de Dix in 1955. Still other excerpts were chosen for the 1961 Raymonda Variations. Alexander Glazounov (1865-1936), a student of Rimsky-Korsakov, was director of the St. Petersburg Conservatory of Music from 1906 to 1917. It was during his tenure there that he was called to the Maryinsky to play piano for a rehearsal ofRaymonda; Balanchine was one of the dancers present. Besides ballets, Glazounov composed eight symphonies, a piano concerto, a violin concerto, chamber music, and orchestral tone poems. |
Music | Violin Concerto (Concentric Paths), Op. 24 (2005) by Thomas Adès |
Choreography | Wayne McGregor |
Premiere | May 14, 2010, New York City Ballet, David H. Koch Theater |
Original Cast | Ashley Bouder, Sterling Hyltin, Maria Kowroski, Tiler Peck, Wendy Whelan, Adrian Danchig-Waring, Joaquin De Luz, Robert Fairchild, Gonzalo Garcia, Craig Hall, Amar Ramasar |
Concentric Paths, the subtitle of the composition of Thomas Adès, refers to having a common center, with outliers remaining peripheral to the action. Those within the circle dance harmoniously until an outlier intrudes. There is conflicted action among the men in regard to the women. The lighting effects create changes in mood--red for strong emotionality; yellow for tranquility; grey for somberness. The choreography reflects the changing moods, using both flowing lyricism and sharp angularity which echoes the music. The triad structure of the music is reflected in the use of threes in the groupings of the dancers in three movements. Thomas Adès (b. London 1971), studied piano at the Guildhall School of Music, and read music at King's College, Cambridge. Between 1993 and 1995 he was Composer in Association with the Hallé Orchestra. Mr. Adès’ first opera, Powder Her Face (commissioned by Almeida Opera for the Cheltenham Festival in 1995), has been performed all round the world. Most of the composer's music has been recorded by EMI, with whom Adès has an exclusive contract as composer, pianist and conductor. His second opera, The Tempest, was commissioned by the Royal Opera House and was premiered there under the baton of the composer to great critical acclaim in February 2004. Thomas Adès' music has attracted numerous awards and prizes, and he is in demand worldwide as a conductor and pianist. As well as being a renowned interpreter of his own music, his performances and recordings of composers including Kurtág, Janácek, Nancarrow, Schumann, Schubert, Ruders, Tchaikovsky and Gerald Barry have been critically acclaimed. He performs regularly in collaboration with other artists including Ian Bostridge and the Belcea Quartet and has conducted many orchestras including the BBC Symphony Orchestra, the Orchestre National de Radio France, the Danish Radio Symphony Orchestra and the City of Birmingham Symphony Orchestra, and ensembles including the London Sinfonietta, Ensemble Modern, the Athelas Ensemble and the Birmingham Contemporary Music Group. Adès has an exclusive contract with EMI Classics as composer, pianist and conductor, for whom he has recorded music by composers including Janácek, Schubert, Castiglioni, Stravinsky, Grieg and Busoni, as well as almost all of his own music. Mr. Adès has been Artistic Director of the Aldeburgh Festival since 1999. |
Music | Morton Gould, based on a theme by Jerome Kern, "I'm Old-Fashioned" (film sequence You Were Never Lovelier, starring Fred Astaire and Rita Hayworth). Score commissioned by New York City Ballet. |
Choreography | Jerome Robbins |
Premiere | June 16, 1983, New York City Ballet, New York State Theater |
Original Cast | Joseph Duell, Judith Fugate, Sean Lavery, Kyra Nichols, Bart Cook, Heather Watts |
Average Length | 33 min. |
Morton Gould (1913-1996) was an American composer, conductor, and arranger whose lighter works generally drew on American subject matter and music. In his later works Gould concentrated on abstract, as opposed to programmatic or popular, works. His style became more contrapuntal, dissonant, and complex in its treatment of musical materials. Throughout his career Gould was a skillful orchestrator, sensitive to color and texture, and original in his combinations of instruments. His ballets include Fall River Legend, choreographed by Agnes de Mille, and Interplay, choreographed by Jerome Robbins, and he composed numerous scores for film, Broadway, and television. |
http://boxoffice.nycballet.com/
Wednesday, February 9, 2011
Spasso Restaurant- West Village
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Stracciatella |
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Polenta |
Octopus was good, nice charred taste, polenta was a creamy dream, mushrooms fine (perhaps a giant pile of mushrooms was a bit ambitious both on my part and theirs), and the stracciatella, well, a bowl of cheese is always delicious even if you can't spread it on bread.
According to my dining companions, I can report that the ribolita was delicious. That's one of those things I think wouldn't be worth even trying make gluten-free. It's an Italian bread soup that conjures up some lovely, culinary memories from my time studying in Florence, but I guess those memories will just have to suffice.
551 Hudson St
New York, NY 10014
212-858-3838
Tuesday, February 8, 2011
Chicness at the Gramercy Park Hotel
Monday, February 7, 2011
Gluten Free Entertaining! Pizza Party
Obviously, dinner parties are a problem. I don't want to serve my friends gluten-free food that might not be up to snuff with it's gluten laden counterparts, but I'd like to eat, too!
SOLUTION- Pizza party!
I made my own GF pizza crust and then we had pre-made regular pizza dough. I wanted to make Gluten Free Girl's recipe, but was in a rush and just couldn't source the flours. I went with King Arthur's mix which was fine. A little too "fluffy" but flavor wise not too bad, just a little dull which is a bad combination when it's that fluffy. But at least I didn't feel left out.
All of my guests brought toppings: red sauce, pesto, mozzarella, sausage, salami, arugula, mushrooms, olives, peppers, onions, you get the idea. We assembled each pie on tinfoil, then cooked them on my new purchase, the AMAZING Mario Batali pizza maker from Crate and Barrel. Pump the oven to 500 degrees, put the pizza still on the greased tinfoil onto the cast iron pan and cook for ~9 mins.
My first finished gluten-free pizza! The Batali pizza maker ensure you don't have to pre-cook the dough, just top the raw pizza with your delicious choices and throw it in the oven and out pops a crisp pizza. I will be researching a better/thinner dough for future attempts but in general I am pleased as punch.
Sunday, February 6, 2011
Dovetail Restaurant, aka Heaven
(212) 362-3800
Thursday, February 3, 2011
Longevity Noodles! Happy Chinese New Year!
Leaving Well Enough Alone
Macy's Windows- Not What I Was Expecting
Tuesday, February 1, 2011
Center of Floral Design
I'm helping a friend decorate his apartment, a project that takes up a lot of weekend afternoons as we piece together the items needed, starting with the bigger ones and working our way toward knick knacks and bric a brac.
This weekend- a faux plant for his room. Obviously , a young, unmarried guy didn't want a living obligation so we headed off the flower district to find a fake flower store. I was surprised by the number of options, though many were shilling some pretty atrocious attempts at fake plant life.
Just as I was beginning to get a bit annoyed, we popped into the Center of Floral Design. I knew immediately it was going to have the one. A lovely salesgirl helped us, walking us around the ficuses and palms, discussing the merits of bamboo and appropriate ceiling to height ratios. They had the most lovely flowers as well.